Pianist Marina Lomazov at center stage perfoming Grieg's Piano Concerto with orchestra

A well-known piano concerto will be performed by a popular and dynamic pianist at the next University of South Carolina Symphony Orchestra concert. The Tuesday, Nov. 13 concert will feature Marina Lomazov performing the Piano Concerto in A minor, op. 16 by Edvard Grieg.

The Piano Concerto is Grieg’s best-known work and among the most-performed piano concerti. The opening bars – a roar of tympani and dazzling piano entrance – are immediately recognizable even to a casual classical music listener.

"The Grieg is a quintessential romantic concerto with broad emotional range and brilliant piano writing, combined with beautiful lyricism and atmosphere," said Dr. Lomazov, a Steinway Artist. "It is a virtuosic piece of music that requires endurance, pacing and wide range of sound and color."

This will be the first time she has performed the concerto in Columbia.

Performances by Dr. Lomazov in the Southeast frequently sell out and she also had the same impact recently in China. Her extensive summer tour there culminated in a sold-out concert at the Shanghai City Theater. Talk Magazine Shanghai called her performance "a dramatic blend of boldness and wit." She has also performed throughout North America and South America, France, Germany, Italy, Spain, Austria, Bulgaria, Ukraine, Russia and Japan and been soloist with the Boston Pops, the Rochester Philharmonic, the Chernigov Philharmonic (Ukraine), the KUG Orchester Graz (Austria), the Bollington Festival Orchestra (England) and the Piccolo Spoleto Festival Orchestra. Her concerts have been broadcast on National Public Radio’s Performance Today, the Bravo cable channel and WNYC’s Young Artist Showcase.

A native of Ukraine, Dr. Lomazov studied at the Kiev Conservatory before immigrating to the U.S. where she earned degrees from the Juilliard School and the Eastman School of Music. She is an associate professor at the USC School of Music and Artistic Director of the Southeastern Piano Festival.

The Grieg concerto won international fame after its 1869 premiere. Franz Liszt was a fan of the concerto and provided suggestions for improvements which the composer incorporated.  In 1909 it became the first piano concerto ever recorded and portions of it have been used in everything from Nike commercials to the movies Lolita and The Adventures of Milo and Otis.

"It's a thrill to perform a widely-known piece of music - its beauty is the foundation of its universal appeal,” Dr. Lomazov said. “Whether one hears it for the first or for the hundredth time, the work stands strong and fresh on its own." 

The concert will open with the Overture to The Creatures of Prometheus ballet by Ludwig van Beethoven. The ballet and the full score have rarely been performed since the premiere in 1801, but the five-minute overture has become a concert mainstay.

“It is very quick and lively – a great opening for a concert,” said orchestra Music Director Donald Portnoy.

The overture will be followed by Richard Strauss’ Death and Transfiguration (Tod und Verklärung), Op. 24, a tone poem depicting the death of an artist. Although only 26 when he wrote the work in 1898 it was his third great symphonic poem. For the first time, he provided a details synopsis of the narrative the music expressed – the final hours of “a man who had striven for the highest ideals…”

“Strauss is one of the mainstays of the orchestral repertoire,” said Maestro Portnoy. “It isn’t played that often because it’s not easy, but it is something the orchestra needs to play and audiences need to experience.”

The concert takes place at 7:30 p.m. Tuesday, Nov. 13 at the Koger Center for the Arts, Assembly Street at College Street. Tickets are $25; $20 for USC faculty and staff, seniors and military; and $8 for students. Call (803) 251-2222 or go to http://www.capitoltickets.com/.

Acclaimed clarinetist solos with USC Symphony Orchestra

Clarinetist Alexander Fiterstein, an Avery Fisher Career Grant winner who has appeared with orchestras and chamber music groups around the world, will perform for the first time with the University of South Carolina Symphony Orchestra Tuesday, Oct. 16. He will be soloist for Carl Nielsen’s Clarinet Concerto.

The concert will also include performances of Aaron Coplan’s Billy the Kid Suite and Espana by Emmanuel Chabrier.

Fiterstein first performed the concerto with orchestra at the 2001 Carl Nielsen International Music Competition and Festival – and won the first place award in the clarinet division. A few months later he performed it in the composer’s native Denmark with the Danish National Orchestra.

“I really have a personal connection with it,” said Fiterstein. “It was such a great experience to play the concerto with that orchestra because they know it so well. I can’t imagine a better group to perform this with.”

Nielsen composed the concerto in 1928 for Aage Oxenvad of the Copenhagen Wind Quintet as part of a plan to write a work for each quintet member inspired by the personality of the instrument and the player. Nielsen described the clarinet as “at once warm-hearted, and completely hysterical, gentle as balm and screaming as a streetcar on poorly lubricated rails” which also happened to match Oxenvad’s irascible personality. The Clarinet Concerto unfolds in one continuous movement, with four sections related to symphonic structure emerging.

Although Mr. Fiterstein has performed the concerto several times in the decade since winning the Nielsen competition, it isn’t programed by many orchestras due to its difficulty. But just before coming to Columbia, he will play it twice with the St. Paul (Minn.) Chamber Orchestra.

Like much of Nielsen’s music, the concerto received little immediate attention outside Denmark. In music circles the composer was widely admired and championed by Leonard Bernstein and others, but only during the past two decades has his music been performed regularly around the world.

Mr. Fiterstein recently completed his fourth summer performing at the Marlboro Music Festival and has toured with Musicians from Marlboro. He was a member of the Chamber Music Society of Lincoln Center CMS II program for young performers and continues to perform as a guest artist with the Chamber Music Society. He has been soloist with the Simon Bolivar Youth Orchestra of Venezuela, the China National Symphony Orchestra, the Israel Chamber Orchestra and the Vienna Chamber Orchestra and has performed with the American, Borromeo and Daedalus string quartets and given recitals at the National Gallery of Art, the Kennedy Center, Carnegie’s Weill Hall and the Louvre. A native of Belarus, he was raised in Israel and graduated from the Juilliard School.

His recording of new works by composer Ronn Yedidia was released on the Naxos label this year. A Gramophone magazine review stated "Fiterstein appears to be capable of anything a composer could possibly ask.  His sound can be warm or penetrating, he travels the instrument's range with nimble assurance and he has an exceptional command of dynamic extremes … Fiterstein puts his multi-faceted artistry to splendid use.”

While this will be Mr. Fiterstein’s first performance with the USC Symphony he has previously worked with Music Director Donald Portnoy. He is married to the violinist Meira Silverstein, a native of Columbia who studied violin with Dr. Portnoy.

Fiterstein is one of several soloists making a first appearance with the orchestra this season. Zeyu Victor Li, a semi-finalist in the 2012 Yehudi Menuhin Young Violinist Competition, will perform Tchaikovsky’s Violin Concerto in D major and the Brasil Guitar Duo will give the U.S. premiere of a concerto by Paulo Bellinati.

Copland’s 1939 Billy the Kid Suite, inspired by American folk songs, was written for what would become the New York City Ballet. The ballet and music are a narrative through the outlaw’s life. The suite was considered a breakthrough for Copland setting the stage for his Rodeo and Appalachian Spring ballet scores.

Chabrier was a lawyer and full-time civil servant until Espana. He was inspired to compose the “orchestral rhapsody” in 1883 after absorbing and researching folk tunes in Spain.

“My rhythms, my tunes will arouse the whole audience to a feverish pitch of excitement; everyone will embrace his neighbor madly,” he wrote of the piece. It’s not recorded if everyone embraced during the Paris premiere, but they did demand an immediate encore. The work made Chabrier a celebrated and influential composer whose admirers included Claude Debussy, Maurice Ravel, Richard Strauss, Erik Satie and Igor Stravinsky.

The concert takes place at 7:30 p.m. Tuesday, Oct. 16 at the Koger Center for the Arts, on Assembly Street between Greene and College streets, Columbia, SC. Tickets are $25; $20 for USC faculty and staff, seniors and military; and $8 for students. Call (803) 251-2222 or go to capitoltickets.com.